I’ve always thought of Harrisburg, Pennsylvania based Kilmaine Saints as a sort of junior Dropkick Murphys, a band with a huge sound, led by a wall of bagpipers. Same Again Tomorrow, the Kilmaine Saints fourth (as I count’em) full length album after repeated spins to these ears is the album to prove the Saints have stepped out of the shadows from behind the big boys and into their own light.
The album bravely kicks off with the infectious fiddle and pipe led, Fanfare, a bold statement of intent to who the band are today. The bagpipes wail on the intro to, Same Again Tomorrow, merging into some frantic fiddling and a chorus to kill for as the Saints recant the adventures of being a gigging band. Siobhan is catchy, more straight ahead Celtic rock that will be in the band’s live set for the foreseeable future. The Animals classic, The House of The Rising Sun, is a strange choice for a cover but the Saints pull it off and give it their own distinctive Celtic twist with fantastic vocals from Brendan Power and some slick guitar leads from Erich Arndt. Off The Wagon is a spunky singalong about you know what, somewhat reminiscent of The Peelers. McGowan’s Wake, builds and builds on dirty guitars into a piper’s farewell. Throwin’ Hands and The Plight are sing along, drink along, Celtic rockers. Nomad has a distinctly spunky eastern European sound. Rally ‘Round The Flag is a bagpipe rocker tribute to the legendary New York Irish brigade, the Fighting 69th, again with some nice leads. Things slow down with, State I’m In, a ballad of lost love, regret and the resulting drinking. Things crank up again to a neck breaking speed on Undivided. Same Again Tomorrow closes with the fine instrumental lament, The Blood of Cu Chulainn.
Kilmaine Saints, take a bow lads, this is a standout album. Now get back to AA.
Shite'n'Onions 