Tag Archives: The Swaggerin’ Growlers

THE SWAGGERIN’ GROWLERS: Interview

April 25, 2009

THE SWAGGERIN’ GROWLERS: Boston based The Swaggerin’ Growlers have just released their 2nd full length CD – Keep Your Head Held High. In honour of that momentus ocasion we asked Johnny Swagger a few dumb questions.

s’n’o: First off, can we get a brief history of the band and personally how did you get involved in playing Celtic-punk?

Johnny Swagger: The band started, like all good folk bands, in the pub. Over pints of Franconia Notch Brewing Companies’ Mountain Stout, in the summer of 2004. We rehearsed in Seth’s (of the Pubcralwers ) basement and played our first show on St Patrick’s day of 2005. Somewhere over the last two years we had a lot of lineup changes, as well as a relocation down to Boston. We finally locked everything down in the beginning of this year, and decided it was high time we put out a new record. Now, we’re off to take over the world.

As far as Celt Punk Goes: Flogging Molly got me interested, and the Pogues changed my life: The idea that you can cause that much intense insanity with acoustic instruments is glorious. It’s hard to avoid the influence of Irish music on the folk scene here in Boston, and in New England as a whole.

S’n’O: Your Head Held High! is your 2nd full-length. How does it compare to your 1st (The Bottle and the Bow)? Is there growth, maturity, keyboards etc., or did you go the AC/DC, Ramones, Motorhead route?

Johnny Swagger: It blows it away, outright – I couldn’t be more proud of the family. There’s a whole lot of growth on this record, and a lot more of our influences shine through considerably more: Bluegrass, Old Tyme, Ska, Swing, and Hardcore. We recorded the majority of it at the band house, behind a schedule that can best be described as insane, so we could have it out for the 17th. And we pulled it off, goddamn it.

S’n’O: I know you headlined the Middle East Club in St. Patrick’s Day for the CD release party. How did it go?

Johnny Swagger: It was a few people shy of selling out, actually – It was a complete frenetic mess. Jubilant, boisterous, brash. I’ve played hundreds of shows at this point in my musical career, and I can definitely say this was my favorite show to date. We were completely surrounded by friends and family, both on and off the stage, and the after party easily ran until 6am. Could anyone ask for anything more? I was in awe the whole goddamn time.

S’n’O: Any plans to tour to support the new release outside New England? Anyone you’d like to tour with?

Johnny Swagger: You better believe it. We plan on fully supporting this record over the next few years, in the states and abroad, starting this summer with a full US tour, then again in the fall. Stay tuned, we plan on announcing dates in the next week or so. Anyone got a van they can sell us? Growlersarus Rex is a little too battered to be roadworthy at this point.

S’n’O: myspace or facebook?

Johnny Swagger: I’ve done more social networking in our living room during a folk jam than on either of those. But Myspace is great for porn and spam and facebook is great for being a creepy stalker. so naturally, we’ve got both, and you should check them out.

http://www.facebook.com/pages/The-Swaggerin-Growlers/38568332154

http://www.myspace.com/theswaggeringrowlers

S’n’O: In closing, anything you’d like to say in general?

Johnny Swagger: Check out our friends, The Old Edison and Faulty Conscience, our sister bands. They’re both gearing up for new releases in the near future. Also a big thank you to everyone who has supported us over the years, the friends we’ve made, and the bartenders that didn’t throw us out when the damn well should have. Oh, and buy our new record, and come out to a show or fifty. Cheers.

THE SWAGGERIN’ GROWLERS: INTERVIEW

April 25, 2009

Boston based The Swaggerin’ Growlers have just released their 2nd full length CD – Keep Your Head Held High. In honour of that momentus ocasion we asked Johnny Swagger a few dumb questions.

s’n’o: First off, can we get a brief history of the band and personally how did you get involved in playing Celtic-punk?

Johnny Swagger: The band started, like all good folk bands, in the pub. Over pints of Franconia Notch Brewing Companies’ Mountain Stout, in the summer of 2004. We rehearsed in Seth’s (of the Pubcralwers ) basement and played our first show on St Patrick’s day of 2005. Somewhere over the last two years we had a lot of lineup changes, as well as a relocation down to Boston. We finally locked everything down in the beginning of this year, and decided it was high time we put out a new record. Now, we’re off to take over the world.

As far as Celt Punk Goes: Flogging Molly got me interested, and the Pogues changed my life: The idea that you can cause that much intense insanity with acoustic instruments is glorious. It’s hard to avoid the influence of Irish music on the folk scene here in Boston, and in New England as a whole.

S’n’O: Your Head Held High! is your 2nd full-length. How does it compare to your 1st (The Bottle and the Bow)? Is there growth, maturity, keyboards etc., or did you go the AC/DC, Ramones, Motorhead route?

Johnny Swagger: It blows it away, outright – I couldn’t be more proud of the family. There’s a whole lot of growth on this record, and a lot more of our influences shine through considerably more: Bluegrass, Old Tyme, Ska, Swing, and Hardcore. We recorded the majority of it at the band house, behind a schedule that can best be described as insane, so we could have it out for the 17th. And we pulled it off, goddamn it.

S’n’O: I know you headlined the Middle East Club in St. Patrick’s Day for the CD release party. How did it go?

Johnny Swagger: It was a few people shy of selling out, actually – It was a complete frenetic mess. Jubilant, boisterous, brash. I’ve played hundreds of shows at this point in my musical career, and I can definitely say this was my favorite show to date. We were completely surrounded by friends and family, both on and off the stage, and the after party easily ran until 6am. Could anyone ask for anything more? I was in awe the whole goddamn time.

S’n’O: Any plans to tour to support the new release outside New England? Anyone you’d like to tour with?

Johnny Swagger: You better believe it. We plan on fully supporting this record over the next few years, in the states and abroad, starting this summer with a full US tour, then again in the fall. Stay tuned, we plan on announcing dates in the next week or so. Anyone got a van they can sell us? Growlersarus Rex is a little too battered to be roadworthy at this point.

S’n’O: myspace or facebook?

Johnny Swagger: I’ve done more social networking in our living room during a folk jam than on either of those. But Myspace is great for porn and spam and facebook is great for being a creepy stalker. so naturally, we’ve got both, and you should check them out.

S’n’O: In closing, anything you’d like to say in general?

Johnny Swagger: Check out our friends, The Old Edison and Faulty Conscience, our sister bands. They’re both gearing up for new releases in the near future. Also a big thank you to everyone who has supported us over the years, the friends we’ve made, and the bartenders that didn’t throw us out when the damn well should have. Oh, and buy our new record, and come out to a show or fifty. Cheers.

Neck w/The Swaggering Growlers/The Beantown Boozehounds/The Gobshites – The Beachcomber, QUINCY MA (September 18, 2008)

The Beachcomber is really my kind of bar, having a mix of all the right ingredients for a perfect dive; including a multi-decade history of Irish and Celtic-inspired entertainment, a cheap and crappy pizza that was the best food on earth at a blurry 11:30 PM, and a decent stage area that can hold a larger band of six or seven.

And it was that stage was the whole point of the evening. A four-band bill with Neck headlining could’ve been held anywhere and turn out awesome. It just so happens that it was here, and it did.

The show opened with The Swaggering Growlers who set the pace for the evening with some good energy despite the fact that the audience was still arriving. Their set was comprised of some material from forthcoming recordings, some covers, and a decent-sized handful off of their (highly recommended, by the way,) CD, “THE BOTTLE AND THE BOW,” including two of my favorites off of that release, “Greetings (from the Unemployment Line,)” and “Dover Tenement.”

The following act was The Beantown Boozehounds, who I was unfamiliar with prior to the evening. Their sound was a far more straight-ahead punk sound with dalliances into the Celtic influence only on a few songs and due almost solely to the inclusion of the mandolin by one of the band’s two guitarists. Each song the band played came off tight, solid and rockin’ and as the crowd had grown considerably by this set, (to include a number of obvious fans of the Boozehounds, regurgitative and rowdy,) they upped the ante of the evening further.

The third act of the evening was The Gobshites, who, (after a bit of mopping up of the sprayed beverages from a particularly demonstrative Boozehounds fan,) took the stage as if they owned the place. Their noise was huge and wide with a full-boat of trad. instruments and a big bag of variety about their songs. I knew that the band toured furiously, but I hadn’t seen a full set from these guys before. I was fully impressed.

By the time Neck came on, it had already been a great night. Mr. O’Keeffe and co. sounded the balls as they tore through some stuff from their awesome SOD ‘EM & BEGORRAH, (“I Turn My Face to the Four Winds,” and “Every Day’s St. Patrick’s Day,”) as well as material from some earlier recordings, (like “Topless Mary Poppins” and “Hello Jakey!,”) some songs from a forthcoming release, (“Come Out Fighting” and “Ourselves Alone,”) and some impossible-not-to-include songs, (like “Star of the County Down” and “Everybody’s Welcome to the Hooley.”) The band even threw out a bit of the ol’ céilí music for a professional step dancer in the audience, (the sister of yours truly,) if only for a moment or so. Had a survey been taken at the end of the night, everyone in attendance would have agreed the evening was one metric shitload of fun all around.

As one of the biggest, and most highly regarded and respected bands in the genre, a Neck show is not one to be missed. This show was no exception. All the supporting acts were in excellent sound and Neck kicked some serious arse. Everybody was great, approachable, and ego-free, and I had a fantastic night with a few pints of black, meeting some new friends and hearing some of the best music made.

Review by Christopher P. Toler, THE Blathering Gommel

The Swaggerin Growlers: Keep Your Head Held High

Posted on May 19, 2009 by Mustard Finnegan

The Swaggerin Growlers could have done the safe thing on “Keep Your Head Held High” their sophomoric release and recorded another dozen or so tracks of riot folk – they didn’t. Sure the music is still aggressive folk punk but on their Celtic foundations they’ve added Bluegrass, Old Tyme, Ska, Swing, and Hardcore. Its nice to hear some originality and new ideas in a sometimes over crowd field and for the most part they hit the mark. I would though like to hear them work with a experienced producer to really tease out their ideas.

The Swaggerin’ Growlers: The Bottle and the Bow

The Swaggerin’ Growlers is a great name for a band, and a very true to life name. I knew Johnny Swagger (vocals) knew how to swagger as I’ve see him in action at many a Skels show. What I didn’t know was Johnny’s ability to growl so masterfully as demonstrated on “The Bottle and the Bow”. The music and the growl is straight ahead Celtic Punk, very much in the vein of The Skels and Flogging Molly with some Bouncing Souls/$wingin’ Utter$ style punk. Recommended.

2007