Tag Archives: Greenland Whalefishers

Greenland Whalefishers: 20 Years Of Waiting (DVD)

March 6, 2014

There is something very special about Greenland Whalefishers for me, it’s not just the great music, the great songs and the unbridled enthusiasm that is just as infectious in 2014 as it was in 2004 and 1994 but it that GWFs are the band that made me realize that this whole Celtic-punk thing was a real musical scene and not the product of our American and UK cousins getting musical revenge on their Irish parents for inflicting upon them The Dubliner and The Clancy Brothers in their formative years.

Here is a band from Bergen, Norway with a love of Thin Lizzy, The Waterboys and of course The Pogues (where main-man Arvid’s vocals sound more like the great man’s then the great man has sounded in years). GWF play great Celtic-folk-punk purely for the love of the music. I’m not sure how I first came to hear of GWF but I do remember downloading some tracks that were hosted on a free mp3 punksite and being so impressed that I wrote to them and duly received a copy of their debut Mainstreet Sword to impress me further. Lobville the next album was my album of the year in 2002(2) and still is one of my favorite Celtic-punk albums ever!

20 Year A Waiting is a DVD documentary of the band which combines the history of the band through interviews with various members, fan’s and friends of the band telling the story of how a Celtic-punk band from Norway went from playing small Irish bars in Bergen to becoming festival favorites in Eastern Europe and touring Japan and America. The DVD while a DIY effort (produced by bass player Atle-Hjørn) still has a high almost professional quality. The interviews are in-depth and there is a ton of great archive footage including lots of doggy material from pre GWF bands and a great shot of drummer Ørjan in his Black Metal days and of course the great music that flows through constantly. For the fan like me this is a wonderful viewing experience though as an introduction I’d say start with Loboville and Songs from the Bunker and Down & Out then do the DVD.

Greenland Whalefishers: Live At Farmer Phil’s Festival

May 16, 2012

Norway’s Greenland Whalefishers are one of Celtic-punks longest running and consistently great bands and while they are very much routed in the sounds of The Pogues (right down to Arvid’s out MacGowning MacGowan’s vocals) though with a nod to both ’77 and current punk influences.

Live At Farmer Phil’s Festival is a no frills, in the raw recording of the GWFs set at the quirky Farmer Phil’s Festival in the UK and it really capture the power of the GWFs live set that has bashed heads from Poland to California and Japan and is now bashing heads on vinyl. The vinyl package is classy, high quality, blue wax including tons of photos on the inner sleeve – buy it before its gone, it will be a collectors item shortly.

1. 4 Season Song
2. Hit the Ground
3. Waiting
4. I Just Saw You
5. I Am Roving
6. July Morning
7. Rich Holder At Thorp Arch
8. Backup Man
9. Limp Jos Story
10. Loboville
11. The Wild Rover

Greenland Whalefishers: SONGS FROM the BUNKER

June 19, 2009

You’ll probably read the Shite’n’Onions list of the best Celtic-punk CDs of all time and will obviously have taken note of Greenland Whalefishers ranking. In fact, of all the CDs listed, GWFs raised the most comment – not that a bunch of Norse men made the list, but the choice should be Down & Out not Loboville. I still stand by Loboville as their greatest and I’m sure my detractors will stand by Down & Out. I’m also willing to stand by the fact that SONGS FROM the BUNKER is the best GWF release since Lobville and I’m will to bet my detractors are willing to insist SONGS FROM the BUNKER is their greatest album since down and out etc.

V/A: It Came From The Barn IV.

This is the 4th CD in the “It Came From The Barn” serious from Germanys, One Million Dollar Records – the world’s only specialist Irish-Folk-Punk, Cow-Punk, Polka-Trash and Bluegrass-Punk (!!!) record label. Volume IV features five bands and 17 tracks.

First up are England’s (the North of…) The Whisky Priests, a band I’d heard ’bout but had never bothered to check out. For some reason I figured they were more on the folkie side of things but man was I wrong. They are as tough as nails and as hard as a kick in the nuts by a coal miner’s steel capped boots. Think of a North of England version of the Pogues fronted by Billy Bragg at a Coal Miners riot in the 80’s.

We’ve never tasted whisky
Just lager and red wine
But by Christ we can’t half knock ’em back
When it comes to judgement time
We’ll take you on at drinking
And if you lose we’ll skin your hide
Then you’ll say we’re the hardest gang in town
And we’ll go home drunk with pride

The Hard Men (Gary Miller)

Pronghorn (4 tracks) sound like (insert the name of your favorite band here) on major drugs. “Lady-Boy of the Night”, sounds like The Charlie Daniels Band on major drugs. “Jewish Thing”, sounds like your local Jewish folk group on major drugs. “Roobarb and Kurdish” is Suggs from Madness with the circus band on major drugs. You get my drift. Strange stuff indeed.

Greenland Whalefishers (4 tracks) should need no introduction from me and you should already own each of the four tracks here on your copies of Loboville and Main Street Sword.

The Revelling Crooks (4 tracks) play what they describe as Irish-Klezmer-Country-Balkan-Folk. Interesting, but didn’t really strike my fancy.

Finally we have Katkalta (1 track) with “Last Order”, who from their photograph look Japanese and play some manic Celtic-Punk with some extra manic Japanese (I think) vocals.

September 2003

Greenland Whalefishers: Amazing Space (B-sides And Other Crap)

IF you’re reading this and haven’t heard of GWF then most likely you’ve surfed here by accident – click here to escape. Otherwise, you’ll be well familiar with the mighty Pogues inspired Celtic Punk from the Fjords of Norway. Basically this is a collection of all the all now difficult if not impossible to get EPs and singles that the band has released over their 10 years together plus a couple of newbie’s and a great live version of “Loboville” – any thoughts about a live CD lads?

2007

Review – Mustard Finnegan

Greenland Whalefishers : Down & Out

With Down and Out, the latest offering from Norway’s Greenland Whalefishers, GWF maintain the “KISS”, Keep It Simple Stupid, philosophy and while there’s nothing earth-shattering with what they do, there doesn’t have to be as they do quite well with what they have.

The band, made up of Arvid Grov, vocals, occasional guitar and songwriter, Gunnar “Two Sheds” Grov, mandolin, banjo and bouzouki, Trond Olsen, guitar, Terje Schumann Olsen, bass, Agnes Skollevoll, tin-whistle, Odin Døssland and Kristian Malmo, fiddle and Ørjan Eikeland Risan on drums have a good one here and are definately far from “Down & Out”.

All the offerings on this release are very nicely done, melodic and well balanced. The signature of this band are the vocals of Arvid Grov. His raspy vocals are a perfect front to the tracks and are a recognizable trademark of the band. Agnes Skollevoll’s whistle is a great accompanyment as well and added in the right doses. The rest of the outfit rounds out the sound very nicely.

There are some great songs on this CD. Highlight tracks are “Hit The Ground”, “The Rocky Roads Of London”,”Punk Shanty” and my personal favorite, “Brody”. There’s also a nice instrumental in “City of Angels”.

If you’re a fan of the Whalefishers or are looking something to start your GWF collection, this is a good one to get. You’ll be rewarded with almost 40 minutes of good times!

2006

Review by The Blackstuff

Various Artists: Paddy Rock Radio Volume 1

First of all hats off to Paddy Rock Radio’s John Bowels for putting this comp together. As someone who has put together a similar project I know what’s involved in pulling everything together and believe me it can be a major pain in the ass. Chicago based Paddy Rock Radio is a peer Shite’n’Onions and a long time supporter of the Celtic/Punk scene. Paddy Rock Volume 1 is a celebration of the shows 5th anniversary  and is a collection of both classic and new Paddy Rock. Some of the the music on offer here will be very familiar (The Peelers, The Prodigals, Greenland Whalefishers and The Mahones) and some stuff is new even to me. The new bands to me that I loved and now want to check out further are Flatfoot 56 (bagpipes and hardcore), The Killigans (Flogging Molly like with feeling and great vocals), Switchback (Reggae’n’Irish).

Full band list: Flatfoot 56, The Peelers, The Bloody Irish Boys, The Killigans, Jackdaw, The Go Set, The Mahones, Switchback, The Prodigals, Greenland Whalefishers, IceWagon Flu, The Scuttlers, The Broken Shillelaghs

August 2005

http://www.paddyrock.com/http://www.cdbaby.com/cd/paddyr

Greenland Whalefishers: Streets of Salvation

In 2001, Norway’s Greenland Whalefishers released “Loboville”, arguably the first great post Pogues album of the new 21st Century. Almost 2 years later the band are following it up with “Streets of Salvation” their 3rd full length (“Main Street Sword” being the 1st).

I was a little apprehensive about listening to “Streets of Salvation” for the first time, my biggest fear being that “Loboville” was a fluke or a one off. Fortunately my fears were misplaced and “Streets of Salvation”, is a fine, fine release. While this is not “Loboville Part 2”, I’m pleased to announce that the Whalefishers have made the 1st great Greenland Whalefishers CD of the 21st Century – don’t worry there is nothing radically different to the prior releases (though maybe some more obvious Waterboys influences then before), it’s still the sound of the Pogues battered by the cold North Atlantic waves. Just this time I find myself not thinking “Hey this sounds just like the Pogues”, now I’m thinking “Wow this sounds just like the Greenland Whalefishers”.

Highlights include but not limited to:

The title track, “Streets of Salvation” a fast paced rocker with rich Celtic melodies – “Bonnie Banks of Loch Lomond” I think.

The driving Celtic rock’n’roll of “Limp Jo’s Story”, “Olivia’s Drop Out” and “The Escape”.

“No More Crucified Days” with it’s Mike Scott/Waterboys influence.

“When The Insane Came Marching In”, a Pogues like instrumental.

The much covered and much more toned down (well compared to Neck’s or the Dropkicks) version of “The Fields of Athenry.” Definitely truer to the lament Paddy Reilly made famous.

Other standouts include “The Night Rick Holder Died”, and the unrelenting punk rocker “For Bitter & Whiskey” and pretty much everything else for that matter.

December 2003

The Pogues: Streams of Whiskey (or GWF’s Loboville)

The Pogues have NOTHING to do with this live album! You should have NOTHING to do with this live album! I should have NOTHING to do with this live album! (whoops! Too late for me!) This so-called “Live” album is just a bootleg that somebody put together just in time to compete with Shane’s solo live album. The cover is a Jamison’s Irish Whiskey label with The Pogues written over it. There is also a small photo of Shane on the bottom. Next to that it says “Shane McGowan & Co.” instead of “Shane MacGowan & Co.” Personally, I hate it when that happens! That alone should show you what you’re getting into with this album. A pretty good Bio of the band is in the liner sleeve. (I will get the producers decent credit for that!) It seems like this album is intended for the casual Pogues fan, who is unaware of the quality of the album.

As far as the music on the album itself, the recording is average for a bootleg, but awful for a “Official” Live album. The squeezebox is too loud, and the drums are bouncing off the walls. Shane actually sounds pretty good for his standards. The overall sound is bland and dull. I have bootlegs that sound more crisp and clear than this shit! Track 14) “Yeah,Yeah,Yeah,Yeah,Yeah” sounds better than normal, and is probably the best track on the album.(Hard to believe!) An album from The Pogues Reunion concert in Brixton last December is going to be released later this year. Hold your cash for that, Because this one Sucks!

-OR-

Get your hands on a copy of Greenland Whalefishers “Loboville”! This album deserves much more recognition than it has gotten. Trust me, “Loboville” is worth it! It’s also the first album in Shite’n’Onions history to be reviewed twice! That should tell you something! You might think that because they are from Bergen, Norway, that they can’t be very good. Quite the opposite! Let’s not forget where the folks who founded Dublin are from! Besides a very slight accent, lead singer Arvid Grov sounds better than the man himself, Shane MacGowan does nowadays! In case you’re wondering, this album sounds nothing like alot of those mainland European “Poguesy” albums. Out of the 11 tracks, I really enjoyed “Loboville”, “Johnny Lee Roth”, and “The Thirsty Cave”. But “Hole in Our Hearts” is the greatest track on the record. From the bagpipes to the choir singing, this song did the job for me, and will for you too. Instead of buying the “Streams of Whiskey” live album, buy the Greenland Whalefishers “Loboville” instead! You can even order it through the Shite’n’Onions store.

April 2002

Review boldly written by Brian Gillespie

Greenland Whalefishers: Loboville

I’ve always had a soft spot for the Greenland Whalefishers from that very Irish place of Bergen, Norway. The Whalefishers first full length CD “The Main Street Sword” certainly impressed me as a solid slab of heavily Pogues influenced Celtic Punk though the production I felt didn’t capture the full power of the sound they were capable of. On “Loboville” the band have fully captured on disk that power and combined it with some really great songs (especially “Hole in our Hearts”, “Loboville” and “July Morning”), melody and playing along with Arvid Grov’s Shane MacGowan sound alike vocals (with only the slightest touch of an accent). Great stuff and highly recommended, especially to those who miss the glory days of the first three Pogues albums

December 2001