Toad In The Hole: Alleyway Rover

One thing about the Pacific Northwest (& anywhere else for that matter) that always irritates me are all those new-age, tarot card reading bands, that dress up like medeval pixies and play “celtic” music. I don’t care about star signs, & colored rocks, or whatever. I care about the music, I care about the jigs, reels, & ballads. Maybe I’m just an asshole, or maybe I just can’t stand Tarot cards.Either way, I’ll worry about that later, because I should probably start reviewing the album “Alleyway Rover” I received from the band Toad In The Hole.

Now I may be wrong, but I think the band Toad In The Hole, may be named after the traditional dish of the same name that contain sausages in a Yorkshire pudding mix. Hailing from the Eugene, Oregon, Toad In The Hole play the type of music I do enjoy… A high-energy mix of rowdy post-Poguesish originals, traditional jigs and reels, and heartfelt ballads. Formed in 2001, Toad In The Hole’s second album, “Alleyway Rover” is a very fine album indeed. The sound is produced just about right, and the music itself flows along nicley like a continuous flow of whisky into a pint glass. Now if that description doesn’t grab your attention, I don’t know what will.

I haven’t had enough time to review the lyrics, but some common subjects include: drinking, Ireland, Scotland, Cuchulainn, & have I mentioned drinking yet? I hear some Robert Burns influences in songs like “Raise A Glass” and “Bonnie Doone” (A Burns original). A little “Sally MacIellanne” influence in “Kiss The Ruddy”. I should mention that in the medley “Warhorse” you’ll hear a nice little ditty from Flogging Molly’s “Black Friday Rule”. So as you can tell, there’s some great stuff here. I agree with the lyrics in the last track “Druthers” I won’t give away the story, but I will say that I can’t stand bourbon! Click here for the lyrics to “Druthers”

Musically, Toad In The Hole is top-notch. I could sit and listen to them for hours, and the next time they roll though town, I most likely will! Some of the traditionals include: Congress Reel, Hunter’s Purse, After The Battle Of Aughrim, Bunch Of Keys, Red-Haired Boy, Toss The Feathers, Mick Maguire, and many, many more!

Here’s what the bio on their website says: The compelling voice and style of founder and lead singer Matthew Hayward-McDonald bring a unique presence to the stage. The accessible and finely crafted lyrics are enhanced by accomplished vocal accompaniment that often utilizes four-part harmony. Guitarist Jason Kelly (Used to play in the Eugene ska band, The Varicoasters, and in a jug band where he met Matty) plays with driving rhythm and technical finesse that serves as a solid base for this lively music.Kathryn Claire sings and plays fiddle with grace and charm that draws the audience in and leaves them spellbound. This is beautifully complimented by the nimble fingers of Liz Myers whose musical versatility includes soaring tin whistles, flute and crowd pleasing bagpipes. Driving the rhythm is bass player Jon Dresdner (Used to be in the band Sodajerk) and bodhran player Joel Kenney. Dresdner’s rich tone adds fullness to the sounds and his dynamic bass lines create the backbone to the music. Kenney’s energetic and lively playing is as fun to watch as it is to hear. The high energy and versatility of Toad in the Hole may at one moment bring you to tears and at the next moment have you dancing a jig with the best of them.

Check these guys out. It’s some quality stuff. If someone has a copy of their first album, “Piss Away Your Charms” lemme know!

November 2004

Review By: Brian “Pissin’ in the Bourbon” Gillespie

The Peelers: Liquordale

I know this album has previously been reviewed here awhile ago, but it’s too fucking good to only have had one S’n’O review! One of the biggest surprises all year, I will simply call “Liquordale” an epic album. I knew after hearing their 1st mini-album “Boots & Suits” that these guys were good, but damn, I had no idea they’d be this good!! On “Boots & Suits” they mainly played traditionals and random Pogue covers. You could tell that The Peelers were a talented band still trying to develop their own distinct sound. I remember there was an original on that album that had me begging for more. Well, my wish has finally been granted.

“Liquordale” Opens up with one of my favorite instruments, the Uilleann pipe. Imagine bowing your head and taking a moment of silence while you listen to the smooth sound of the elbow pipe, when suddenly, on “The Glen Will Rise Again” the galloping drums kick in and next thing you know, you’re running halfway up the wall, and slamming into everything in sight! Your dog starts barking at you, and snaps at that favorite hard-to-find Pogues T-shirt you’re wearing, before you finally calm down and return to a normal sane level of reality, and remind the dog to only bark & snap at the jackass neighbor kids across the street who enjoy asking me on a daily basis what I think of that watered-down pop-punk band, A Simple Plan…(For the record, They fucking suck, now quit talking to me, and wait patiently for your fucking school bus!) Err–Sorry ’bout that! Back to the album review…

The third track, “Katie Bar The Door” Has more or less, a nautical theme regarding coffin ships bound for Australia. Another standout is “The Sons Of Molly” obviously a Molly Maguire song that blends into “Catharsis” that for the record contains some kick ass fiddle work that had me stomping my foot so hard, I had to board up the hole I made in the floor. The thing I really noticed about the new version of “I’ll Meet You At The Bottle Of A Bottle” is how quickly these guys are becoming a top-notch Celt-Punk band. It probably helps that the main man behind the band, Dave Barton, was raised on a steady diet of The Pogues & The Clash. Not to leave any of the other band members out, the entire band sound about as tight as a ducks ass floating down some white water rapids 3 minutes after those jackass neighbor kids gave it an alka-seltzer.. Err– sorry ’bout that…

The Peelers do a great version of the traditional ditty, “The Little Beggarman” I especially enjoyed the squeezebox. On the tenth track, “Savannah (You’ve Been Good To Me)” I couldn’t agree more! After spending some time down there recently, I agree completely! (No, I don’t work for the Savannah Chamber Of Commerce, but if you’ve never been to “The Jewel of the South” before, I HIGHLY recommend checking it out!) On St. Paddy’s Day, Savannah grows from 200,000 to well over 450,000, claiming to hold the nation’s 2nd largest (per capita) Paddy’s Day festivities. It might just be southern folklore, but fuck it, the place is great anyway. Lyrically, my favorite track has to be “Plastic Paddy” Which is basically a song about being a drunken plastic paddy. Great stuff indeed.

So there you have it, The Peelers great album “Liqourdale”. An album so great it had to reviewed twice for Shite’n’Onions! If that doesn’t give you at least some sort of clue that this album is worth it, then maybe you should smack yourself silly in the face with a bat that has a crooked rusty nail sticking out of it and read this review again. Better yet, let me do it. Because after I raise the Jolly Roger flag & chase those jackass neighbor kids away from my front lawn with an 18th century cannonball blast I attached to my porch, I’ll be all warmed up & ready to go!

November 2004

Review by: Brian “Grumpy Neighbor” Gillespie

The Popes: Release The Beast

Just a quick review here. The Popes (Without Shane) have released a double album. Disc 1 is live. Disc 2 is the previously released “Holloway Boulevard”. Don’t know about you, but I already have the fantastic “Holloway Boulevard” and I have a few bootlegs of The Popes, so this album wasn’t exactly a priority. If you never got around to buying “Holloway Boulevard” the first time around, now is a good time to do so, cuz with the additional live album it’s more than worth it.

November 2014

Review by: Brian Gillespie

The Duncan McFarlane Band: Woodshed Boys

My weakness has always been English folk music. Everything from English folk-rock, to traditional English folk, I know next to nothing! (Some people would say Ewan MacColl is English folk, but like Duncan McFarlane, his folks were from Scotland.) ,Anyway, I’m quite thankful a little ditty came in the mail from Leeds to help me expand my musical horizons. To explain the Duncan McFarlane Band’s sound goes something like this: Roaring Jack walks into a pub & meets Warblefly for a few pints, then decide to leave together to watch a Fairport Convention gig. It also helps that Alistair Hulett, (Roaring Jack) contributes to the vocals on half a dozen tracks. Add on top of that, contributions from ex-Battlefield Band member, Alistair Russell, and you have your self some talented Alistairs here.

Even though this is the debut album from the band, Mr. McFarlane has been around since the early 70’s. In 1974 he formed a pub-rock/college circuit band called Luigi Ana Da Boys, and caught the ear of the late, great, John Peel. The song “Feeling The Ceiling” received some decent airplay on BBC Radio One. After playing in numerous bands, such as: Sharp Practice, A New Opera, & Another Way. Duncan retired from the rock circuit in 1994, (Due to back problems) and within a year started attending various folk festivals.(No need to carry amps!)

The album, “The Woodshed Boys” contain twelve tracks, & the running time clocks in a roughly sixty minutes. Stand out tracks include: “Bring ‘Em Down”, “The Woodshed Boys”, “Canadee-I-O” & “A Jug O This”. The album can be heard on the BBC, and other radio stations across Britain. (So when you’re not listening to the Shite’n’Onions radio station, tune into BBC and check them out.) For more detail on the lyrics to “The Woodshed Boys” & other albums, check out the website

November 2014

Review by: Brian Gillespie

Jackdaw: Triple Crown

I was a big fan of Jackdaws last CD – “Jackdaw” – so to be honest the follow-up “Triple Crown” is a bit of a disappointment. Don’t get me wrong, it’s a top shelf album of Celtic-Rock, it’s just that the guitars (and bag pipes) seem to be missing in the mix. Imagine Malcolm Young being replaced by The Edge – yeah you get my drift.

November 2014

The Street Dogs: Back To The World

Like a blast of fresh air over that steaming pile of shit some people like to call the music industry, The Street Dogs are welcomed like an animal lover with a fenced yard, walking into the pound with a smile on their face. This has to be the greatest way to start off the new year! Hell, I was still shaking off the cobwebs of New Year’s Eve, when I stumbled down to the mailbox, and opened up a package containing The new Street Dogs album. I guess you could say I was caught odd guard. (You should have heard how loud I barked “Holy Shit” when I saw the album!) Speaking of being caught off guard, that could explain my reaction when I first heard the early demos that eventually became “Savin Hill.” All I could say for the rest of the day was “McColgan’s Back!!!”

When The Street Dogs came to town last fall, I was more prepared. It was their first time coming to Portland. Playing moments after Boston won the World Series, The Street Dogs were in high spirits, and it showed. (Hell, after the Briggs played, there was about a 45 minute break between bands… We were all downstairs in the bar, watching the game on the big screen!) I never got around to writing a concert review of that gig. (The Briggs, Street Dogs, Flogging Molly) I think I was too busy listening to “Savin Hill”… The greatest record of 2003.

Well guess what, “Back To The World” is even better!

Sticking to the same formula as their previous efforts. “Back To The World” covers all the important subjects. Sounding more polished than ever, The Street Dogs have once again, lit the fuse and blew the God-Damned roof off.

Here’s a quick teaser, until the album hits stores Jan. 25th.

1. Strike A Blow:
An assult on the current state of music. A song about bringing new life to the radio.

2. You Alone:
A song dedicated to Greg Riley A.K.A. Chickenman.

3. In Defense Of Dorchester:
Hometown pride. You can hear this one on The Street Dogs website. One of my favorites.

4. Back To The World:
Obviously the title track, “Back To The World” is a soldiers tale about the current mess in the Middle East, wishing he could get back to his wife, & kids. This one really hits home.

5. Tale Of Mass Deception:
After telling us a tale about a soldier’s story in the previous track, The Street Dogs blast our current so-called “leaders”.With a bit of the accordian mixed in for good measure, “Tale Of Mass Deception” starts out like this: “An elaborate con on the common man,
Propelled by your massive media plan.
And I can see your hostile takeover, greed and your lies.
Turning what I love, into what I despise.”
(You can also hear this one on The Street Dogs website)

6. Drink Tonight:
After the last couple of songs, it’s time to take a break and have a drink or two. “Drink Tonight” is obviously a drinkin’ song, a very good drinking song. Turn up the volume to 11, and hold on, it’s the hardest hitting track on the record!

7. Stagger:
A song about a crusty old WWII Vet sitting at the end of the bar, bitter & drunk. I can almost picture this guy.

8. White Collar Fraud:
Ever worked in an office (Or anywhere for that matter!) with a backstabbing asshole who sucks up to the boss, and does anything they possibly can to get ahead. Well, this is a song about that guy. (I hate that guy…)

9. Patrick:
Remember that guy in school that aced every test with ease, and had the whole world in the palm of his hand, only to blow it on drugs, drinking, and general fast lane living? Well, this is a song about that guy.

10. Pull The Pin:
I very well could have missed the entire point, but what I got outta this one was it’s about a guy at the end of his rope with a gernade, and he’s about to pull the pin.(Or something to that effect.)

11. Hands Down:
A real man doesn’t strike a woman. It’s about keeping your hands down, and talking about it peacefully. A real man doesn’t beat his wife. No matter what!

12. Union & The Law:
What’s wrong with being treated fairly? You knew it was coming eventually, this is a Pro-Union song giving a voice for the working man. “Union & The Law” is about exposing the current problems with “company downsizing.”

Holy shit, 3 days into 2005, and I have already heard the best album of the year! The Street Dogs will be touring this winter with Social Distortion. I’m sure you all will have tickets.

November 2014

Review by: Brian Gillespie

Jugopunch: Cold/A fiver on the horses

“Trad Irish with balls”, that’s how Stoke-on-Trent’s Jugopunch describe themselves in the press pack that accompanies their new single – Cold/A fiver on the horses – and I’m not going to disagree. The three tracks presented here while strongly rooted in Irish folk like the Clancy’s also nod in the direction of fellow Anglo-Irish men, The Pogues. Think “Dirty Old Town” and “A Pair of Brown Eyes” and you get an idea of the direction the band is going in.

November 2014

Luke Kelly: Thank You for the Days

For those of you in ignorance of Luke Kelly, he was the finest interpreter of traditional Irish and folk ballads bar none, both as a member of the Dubliners and on his own – ask Dave King or Shane MacGowan and I think they’ll second me.

“Thank you for the days” contains 9 (out of 10) previously unreleased versions of very well known Luke Kelly standards (McAlpines, Rocky Road, Galway Races etc.) recorded in the rough and ready in some very primitive studios back in the early ‘60’s and recently rediscovered in some dusty folk archives during research for a Noel Pearson film on the life of Luke Kelly, “Luke”. The 10th track, “Thank you for the days”, recorded in the early ’80 just before Luke’s death seems a little too polished and out of place in this collection, a great song though.

Probably not the best place to start discovering Luke Kelly (The Luke Kelly Collection is a much better starting point) but it’s a strong collection that show cases the raw power and passion of Luke’s voice.

July 2004

Ricky Warwick: Tattoos and Alibis

Irish born, Scottish raised, Ricky Warwick is the former front man of 80’s metal band, The Almighty. The Almighty looked tough and sounded tougher. A mix of Motorhead, AC/DC and SLF. The big problem with The Almighty was that they were signed to a major label over in the UK, who put constant pressure on them for “the hit”, diluting what could have being one of the great metal bands and when the hits didn’t come, The Almighty were given the short shift and told to eff’ off

Tattoos and Alibis is Ricky’s first solo effort and it’s stripped down acoustic root’s rock, kind of like Mike Ness on “Cheating at Solitaire” – all steel guitars, whiskey bottles, gruff vocals and broken hearts. Unfortunately, the big problem here again is the eff’ing A&R guy whispering in Ricky’s ear, “We need a hit.”

July 2004

Rum Runner: Association

Living somewhere in the same neighborhood as The GC5, and The Swingin’ Utters, Rum Runner make you want to pump one fist in the air, while your other hand is  busy grasping a pint glass and spilling beer all over yourself. Obviously influenced by Shane MacGowan, Rum Runner doesn’t sound like your run-of-the-mill Celt-Punk band. Probably because they aren’t your run-of-the-mill Celt-Punk band… They are a streetpunk band first and foremost, with celtic, oi, and slight blues influences hidden underneath the thick layer of  vocals, guitars, drums, and bass. (also include a little banjo, & harmonica)

Calling Calgary, Alberta home, (Fuck Tampa Bay-that puck was IN the net!) these guys have just gotten started. The best part about Rum Runner is just about everybody will enjoy their music. Punks, Skins, and even those goofy Celt-Punk-Drunks, are all invited to the Rum Runner party! Recently releasing the debut album “Association” on Long Shot Records, Rum Runner should have a bright future ahead of them. I loved the album from the 1st track, “Association” to the 12th track, “Streams of Whiskey” (Yes, THAT Streams Of Whiskey”.) But, overall my favorite track was the Nipple Erectors cover “Nervous Wreck” It sounded just a great as the original. (It even starts out with that unmistakable MacGowan laugh…you know, “KKRRRSSSHH” The one that sounds like Sesame Street’s Erine)

  Track listing :
1. Association
2. Nervous Wreck
3. Whiskey & Wisdom
4. Torn Ten Dollar Bills
5. Balls
6. Street Credibility
7. The Green Sod
8. 10.30 In The Morning
9. Dragonflies
10. Nagelbett
11. Industry
12. Streams Of Whiskey

July 2004

Review By Brian “Beer-Spiller” Gillespie

Potato-eating, Whiskey-drinking, Bog-trotting, CELTIC PUNK ROCK