Irish Stew of Sindidun: Dare To Dream

Okay, I want to start off by saying that this is a great CD. This band is a tight, solid and cohesive group of musicians that create a sound so completely synchronized and in harmony with each other. I dig their sound… A lot.

Okay, with the editorial portion out of the way, Irish Stew of Sindidun is a six-piece, Celtic folk-punk outfit out of Belgrade in the former-Yugoslavian state of Serbia. Their instrumentation on this CD includes acoustic guitar, bass, drums, banjo, fiddle and tin whistle, with all of the lyrics in English, (albeit a somewhat accented one.)

Singer/whistler/chief songwriter Bojan Petrovic’s slightly nasally midrange tenor voice comes in so well connected to band’s sound and really carries the emotions of the songs with a lazy melancholy appropriately befitting the subject matter on ‘Dare To Dream,’ the band’s second full-length release.

The CD consists of twelve tracks; ten originals, two covers, and one instrumental. The songs on ‘Dare To Dream’ are not the “mug-swinging, sing-along” kind by a long shot. Instead the mood carried is a darker, introspective and brooding one with titles like ‘Blessed and Damned,’ ‘Pile of Sins,’ ‘Life Without Living On A Sunny Winter Day,’ ‘Memories,’ and ‘I Will Never (Be Your Friend.)’ The disc’s two cover tracks are traditional numbers; the fittingly somber ‘Carrickfergus,’ and the ironically happiest-sounding song on the disc, that traditional, toe-tapping little ditty about reclusive infanticide, ‘Weila, Waila.’

‘Dare To Dream’ comes off Celtic-sounding more in instrumentation and ornamentation than in it’s songs’ structure themselves, and, due to this, has me comparing this band to ‘The BibleCode Sundays,’ ‘The Mahones,’ and, to a lesser extent, ‘The GO Set.’ Not necessarily for their sound, but in the way that all elements work together so seamlessly to create a sound that begins in a Celtic-influenced light punk arena and bleeds into many different styles consistently.

It seems that most of these Slavic bands have remained in the more obscure corner of the genre; perhaps due to language or cultural differences, or perhaps due to the high cost of obtaining some of these bands’ material, But Irish Stew Of Sindidun is not one that should be overlooked.

2008

Review by Christopher Toler, THE Blathering Gommel

Spud N***er: Scratchings – The Free Spuds EP

As a sub-genre, ‘Celtic Folk Punk’ tends to be a hybrid; a combination of traditional and punk styles. It’s songs, (contemporary, traditional, or a mixture of the two,) and instrumentation, (from both the rock and traditional music arenas, i.e. electric guitars with fiddles, whistles and/or pipes, etc.,) make up the elements that typically define this style of music. Nevertheless, almost as if this seemingly instinctive concept wasn’t properly explained, along comes ‘Spud N**ger,’ a band that is Celtic, being from the very middle of the Emerald Isle,) Folk, (well, acoustic anyways,) and Punk, (in almost every other interpretation of the definition.)

More specifically, ‘Spud N**ger’ is an acoustic punk trio out of County Westmeath, in the center of Ireland. Made up of acoustic guitar, bass, drums and vocals, the three-piece outfit plays fast-moving, upbeat punk in a stripped-down, minimalist style entirely like itself and no one else.

‘Scratchings’, the sampler EP from the band, contains five tracks with lyrics embracing the punk ethos and ideals of anti-authoritarianism, anomie, and rebellion, on top of fast-moving, driving rhythms. Though strictly acoustic, and thusly devoid of any distortion or effects, the tracks on ‘Scratchings’ still provide a broad and varied sound and, while a family resemblance between each song is undeniable, each has a unique personality of it own.

The disc’s five tracks continue with the bare-essentials mentality and contain no elaborate intros, solos, spoken word, raps-in-the-middle, or drawn-out fade-to-silences. In fact, the song lengths on the E.P. ring in at an average of just two and a half minutes each. Without the additional instrumentation of larger bands, however, and with the lack of solos, the vocals and lyrics tend to fall under the lead spotlight. In the case of “Da Spuds,” as they are sometimes billed, this is not a bad thing at all. Lead vocalist, Fr. Jack’s voice is both confident and in control as he delivers the one-two punch of lyrics comfortably and clearly. The lyrics themselves are clever, laden with locally specific terminology, (i.e. ‘The Gardai,’ ‘Donegal,’ or as in lines like “when coming off the smack you stole the bogroll in the jacks,” from ‘Cake ‘N’ Beer,) and often humorous, and, partially due to the shortage of competing sounds, distinct and easy to make out. The songs are also very sing-along-able, (although some discretion is suggested due to certain “grown-up words,” especially in the song, ‘Donegal!’)

Describing the Spud N**ger’s sound is not an easy task. There are elements here and there that may remind the listener of something else, (like the attitude of The Ramones every now and again, or occasional rhythms reminiscent of Nirvana,) but, as there really is no one else doing this style that I am aware of, I won’t continue to attempt this exercise.

‘Scratchings’ may be only five tracks and less than twelve minutes longs, (and, apparently free to anyone in Ireland!), but, hopefully, it does give an indication of what to expect from this band.

As such, it makes it known that Spud N**ger is definitely a band to watch out for.

2008

Review by Christopher Toler, THE Blathering Gommel

Pat Chessell: Live And Lusty

Live And Lusty is the debut CD from Irish-Canadian, Pat Chessell. Recorded live in October 2007 at Vancouver’s’ Dublin Crossing Irish Pub in front of a rowdy and vocally appreciative crowd. The set consists of mostly high energy Irish/rebel songs, some Canadian/maritime, one original (I think) and being Canadian a hockey anthem. Chessell is a strong vocalist and the band tight. Musically it’s a high energy version of The Clancy Brothers or Wolfe Tones with a touch of Johnny Cash or maybe even the Great Big Sea. A good introduction to a name we will be hearing again (and again).

2008

The Gobshites: Get Bomber/Another Round

“Get Bomber” and “Another Round” are two separate CDs both released on the same day by one of my favorite bands. Boston’s own The Gobshites. The Gobshites basically take old punk-rock standards, preferably punk-rock drinking standards and give’em a good old Celtic headbutt in the nuts. Highlights on “Get Bombed” include “Nervous Wreck” (The Nips), “Alcohol” (Gang Green), “Too Drunk To Fuck” (Dead Kennedys) and “Long Way Back” (The Ramones with Tommy Ramone helping out The Gobshites on backing vocals). Highlights on “Another Round” include “Frigging in the Rigging” (Sex Pistols) and “Drinking and Driving” (Peter and The Test Tube Babies). Also, “When The Shite Hits The Fan”, The Gobshites first release has been remastered and re-released.

2008

The Closet Squatters: Here We Go Again

Chicago’s The Closet Squatters are heavily influenced by the holy trinity of American Celtic punk – The Tossers, Dropkick Murphys and Flogging Molly. These influences are very apparent on their newest release, “Here We Go Again”. Songs like “Rovin’ Eye” and “Why Must Yah Leave” are acoustic Celtic rockers in the vain of The Tossers. The Dropkick’s influences can be heard in the dueling vocals of “Her and I”, ala DKM’s “Dirty Glass”. Pretty much everything is highly influenced by Flogging Molly, in fact these guys at time sound more like Flogging Molly then Flogging Molly sound like these days on “Float”.

2008

Mongrel: Fear, Lies, & Propaganda

I’m not too sure why Mongrel’s label though it would be a good idea to send S’n’O a review copy of their latest release “Fear, Lies, & Propaganda”. S’n’O has a pretty narrow focus – Celtic Punk – and that’s one thing Mongrel isn’t. To be fair I did give ’em a good spin and it ain’t bad if metal/punk is your thing. Kind of reminds me of Pantera – especially the riffing. Gommel this ones for you.

2008

Boiled In Lead: Silver

25 years into their career the Minneapolis based Boiled in Lead have released one of their best CDs to date. BiL occupy ground somewhere between The Pogues and the Oysterband. Essentially Celtic folk rock – I don’t want to use the Celtic-punk label as I think this would do a disservice to the virtuoso playing found on “Silver” – with an edge meets the world – North Africa, Balkans and even gothic/medieval times. If The Chieftains ever tried to make a rock CD (or Led Zeppelin went Celtic) it would be Boiled in Lead’s “Silver”.

2008

The Kissers: Candy Ratz

It’s somewhat ironic that The Kissers swansong release is a live release and very appropriate it is too. After 10 years on the road playing up to 200 gigs of a year of Pogues meets Indie rock, The Kissers called it quits this year. So it’s nice to have a memento of a great of the band at their best – live. I think all 15 tracks (originals, traditional and covers)on this release are previously unreleased so thats an added bonus for a live release. My favourate tracks are “Newry Highwayman” and the amlost reggae version “Come Out Ya Black and Tans”

2008

http://www.thekissers.com/

Celtic Cross: Shores Of America

I remember these guys playing around The Bronx in the mid-90’s, so I was surprised to find out they are still around 14 plus years later. I was also surprised by their sound. I had figured they would be a more edgy Celtic-rock similar to the bands who were playing around the scene those days – Black 47 and Rogues March. They are not. I would liken them more to melodic rock meet full force céilí – Cherish The Ladies might be the closes comparison – the . If your looking for the next Flogging Molly CD this probably isn’t for you, but if your looking for beautifully play melodic Celtic rock with an amazing female vocalist in the personage of Kathleen Fee and thought full lyrics on the New York Irish American experience then this might be just the one.

2008

Surfin Turnips: 20,000 Leagues Under The Severn Sea

Sometimes genius is a simple idea. Take the Surfin’ Turnips from the West Country of England (Devon and most of the south west – where people actually talk like pirates). They take familiar songs and melodys, replace the lyrics with odes to scrumpy cider, play’em like The Ramones with an accordian and of course sing ’em like pirates. Simple. Pure genius.

2008

Potato-eating, Whiskey-drinking, Bog-trotting, CELTIC PUNK ROCK