Dirty Water : Dirty Water

I caught Dirty Water, the new band from ex-Ducky Boy Mark Lind quite by chance opening for the Skels at The Middle East Club in Cambridge, MA recently. And to be honest I wasn’t that excited about seeing them, especially after my over excited friend raved about how Dirty Waters new CD was really just the 3rd Ducky Boys release. To me the Dunky Boys were ok, but nothing more then ok.

Live, Dirty Water blew me away with their no bullshit, no image, Punk’n’Roll and this 7 tracker has done the same. Think, Hudson Falcons, Bruce Springsteen (huge influence), AC/DC, The Clash, Social D., and of course Rose Tattoo. If you like your Rock’n’Roll loud, honest and with dirty finger nails this is for you.

September 2003

The Pubcrawlers: From the Barn to the Bar

A much improved Pubcrawlers are back with a 6-song demo follow up to their first demo. The band are starting to define a strong style of their own with strong influences from Irish Folk, Oi/Street Punk and Metal. The closest influence is obviously the DKM’s but the Crawlers metallic guitars give the band their own edge. The CD opens with “The Irish Combine”, the weakest track in my opinion – the vocals just don’t have the rough edge needed to keep up with the music, two fine traditional covers follow, The Rattlin Bog and The Irish Rover (For the grand city hall in New York – YANKEES SUCK – nice guys!!!) both given the DKM treatment ala Finnegans Wake. Boston Subway is a much strong original composition and “Tripping Up The Stairs/An Honest Gamble” is fantastic, definitely the standout track. Things end on a metal note with a medley of Canon in D, Hole in the Wall and Johnny Comes Marching Home. In summary still not perfect but getting closer.

September 2003

Icewagon Flu: Trouble has a Car

The bio states the band perform “Original Music”, and that they certainly do. Lazy bastard reviewers like me hate bands like Icewagon Flu, they are impossible pigeon hole, compare them to a similar band and move on. You really have to really listen to the CD and take in what they are trying to do.

The Flu if I may call’em that, play a highly original combination of loud Rock’n’Roll, American roots, whiskey soaked Irish folk with almost a jam band feel. The songs are strong and they lyrics are wacky, off beat humorous (and some of them herbal inspired I’m guessing.) If you’re looking for the next Flogging Molly sound alike you’ll be disappointed, but if your looking for something fresh and original you won’t go wrong.

September 2003

The Steam Pig: Potshots

Dublin’s reining Kings of Punk are back with their first release since their last one (always wanted to say that – stupid eh?,) the very fine “Deep Fried Obedience”. Boz, Andy and Del are still spitting glass, nails, venom and sticks of dynamite at all they despise – Old Ladies, Boggers, the stupid in general and the girl from CRASS (something about catching the clap from her). Though the music sounds much more experimental/Industrial/bloody intense then the more straight forward punk of DFO. A couple of tracks remind me of early THERAPY?, I’m also hearing late 80’s HC influnces and even maybe a touch of Slayer (Turnpike). Not for the faint hearted, Old Ladies, Boggers, the stupid in general and the girl from CRASS. Available in the US through Rube Records (P.O Box 121, Cobleskill, NY 12043 – $13.00 PP)

September 2003

The Skels: Any Port in a Storm

The Skels are back (did they ever fecking go away) with their first release in over 4 years. Proving they are the Ramones/AC/DC/Motorhead of the Irish-Punk scene they have gone and made a CD that sounds exactly like the last two. Now that’s not a bad thing at all in my book. I loved both “The Book of Skels” and “Stoney Road” and still play them regularly. None of that “Maturity, Growth, Progression” crap here, the Skels are having a drunken good time so why change or even sober up. Though strangely enough this is still their best album yet and I’m putting it down to just some bloody good foot-stomping, glasses raised drink for 3 seconds songs and Chris Skels impressive lyrics as he brings us on a pub crawl from darkest Bergen County to the Cambridge Port Saloon via Flannerys in NYC and the Presidential palace’s of Chile. If you haven’t heard the Skels yet then think Sally McLennane pogoin’ with Hank Williams at a Clash show after the Bottle of Smoke came in a 25 to f**ckin 1.

Drink for 3 seconds.

September 2003


The Real McKenzies: Oot & Aboot

First off, how ’bout those Warpipes, and thundering drums, on that last track “Taylor Made”? It’s a perfect example of a theory of mine… (and I’m sure about a million others before me, agree!) The theory is that the drums represent the heartbeat, and the bagpipes represent the soul, and when it’s done right, it’s simply an overwhelming feeling that hits you deep in the gut. You know you’re truly alive when you feel it. If you’ve ever witnessed up close a huge crowd of marching bagpipes and drums then you should know what I’m talking about. In my personal opinion, the last track, “Taylor Made” gave me that exact same feeling.That song could have lasted 10 – 15 minutes, and i’d still be happy with it. I ask all you reading this review to get the album “Oot & Aboot”, go home and turn up the volume to 50 and start with track 13. If you don’t get that feeling I’m talking about, then go far, far, away & shoot yourself, or better yet, lay down on some railroad tracks.

Sorry about that, got a wee bit carried away…On with the album review, if I had one word to describe the new album it would be, catchy. I mean that in a good way, mind you. I’m seriously impressed with the vocal melodies scattered throughout this new album. I’m also impressed with the overall sound on “Oot & Aboot” The dual guitars are clean, Paul McKenzie’s vocals are solid, and the bagpipes are interwoven perfectly, not to mention the bass and drums hold everything down like they should. You can tell they had some professionals in the studio with them this time, unlike some previous efforts in the past. Have I mentioned catchy yet?

“Oot & Aboot” starts out with a damn fine pirate number “‘Cross The Ocean” and in my book, every good Real McKenzies album MUST have at least one pirate tune on it.

“Droppin’ Like Flys” is more or less an ode to all the punk bands of the past. Speaking about the unfortunate and untimely deaths of Joey & Dee Dee Ramone (among others.)

“Ye Banks And Braes (O’ Bonnie Doon)” is one of the two traditional tracks on the album originally written by the master Scottish poet, Robbie Burns, it good to see another one of auld Rabbie’s poem’s alive and kicking again.

“Get Lost” is one of those catchy tracks on the album i’ve been talking about. It’s also one of the songs the lads played during the Fat Wreck Chords tour earlier this year.

“Lest We Forget” is a good follow up to “Get Lost” it’s like a one-two punch of how good the vocal melodys have become. If I heard everything right, I think it’s about women!

“Heather Bells” is another traditional ditty, it’s also one of the stronger tracks on the album, is more or less an ode to the Scottish homeland, an ode to a land that we long to be! I’m sure anyone displaced or homesick can relate to this track no matter where the homeland may be! Ahh! I need a vacation!

“Dance Around The Whisky” is the most folky tune on this album. Centered around an acoustic guitar, It’s a drunken sing-a-long about Scotch whisky. Complete with the background pub atmosphere. One of my favorites. It almost reminds me of earlier folky stuff off of “Clash Of The Tartans”

“Oot & Aboot” I hate to break it to all the Canucks reading this, but, YES! You do have an accent when you say Oot & Aboot!! Can I have some Canadian bacon and maple syrup now?

“Shit Outta Luck” The melody reminds me of “King O’ Glasgow” It also reminds me of alot about my luck lately! Is it unlucky to accidentally break a mirror on Friday the 13th? What the fuck? I’m shit outta luck!

“Jennifer Que” Hell yeah! the fastest, hardest-hitting track on the entire album. For the idiots that think the Real McKenzies have gotten soft. Take a listen to this one. This is how some of the older stuff would have sounded like if it was produced a little cleaner.

“Drink The Way I Do” (The same song that’s one the ecard that I emailed everybody with!) What happens when you drink the way I do? Simply put, a hangover, that’s what will happen.

“The Night The Lights Went Out In Scotland” April 16th, 1745. The Battle Of Culloden. The Scottish Jacobites were slaughtered by the English. The Jacobite rebellion was more or less brought to it’s knees, yet it’s still not forgotten. Fuck no, never forgotten! After the battle of Culloden, The Highlanders were eventually kicked off their lands, and forced to leave the only way of life they have ever known. At this moment, I raise my glass to those displaced Highlanders.

“Taylor Made” an instumental song using the instruments of war. – Hey Paul! Can you guys record a half-hour version of this track and send it to me? Hey Matt! Brad! Whaddya think??

September 2003

Review By Brian Gillespie

Mutiny: Bag of Oats / Digging for Gold

“Folk Punk For Punk Folks”

Melbourne Australia’s, Mutiny have sailed the seven seas for over a dozen years, and the quality of the music reflects the years of hard work they’ve put into their craft. For some reason or another, Mutiny’s pirate ship has gone undetected by alot of landlubbers over the years. Hopefully that will change when they release a new album next year. (and a possible US tour?) If you’re a fan of nautical-folk-punk that leans toward sea shanties, and ballads (much like The Dolomites early stuff did) than this is your band.

2002’s album, “Bag of Oats” is six-song CD that will knock yer pegleg off. The lyrics of folk songs should tell the listener about what’s really going on in their paticular part of the world, and with songs that speak about current and historical issues, that’s exactly what Mutiny does, and with a true Aussie accent throughout the vocals to boot. Musically, the album has no weak spots either. It really is folk punk for punk folks. I tried to pick a favorite track from this album, but I couldn’t do it. Each and every song is as solid as stone. More or less what it does is make me itch for the new album!

Next up is a single titled “Digging For Gold”. Released just before the holiday season last X-mas, the single contains three songs such as: “Digging For Gold”, the previously released “Bag Of Oats”, and “Heave Up”. It’s just as solid as their earlier material. So there you have it. Mutiny is obviously a quality group from the land down under. Those of you who have heard them before know what i’m talking about, and those of you that haven’t had best get off your arses and get familiar with ’em, because if they do tour the States, we need to do our best to support them. I know I will! (and if that’s not a plea for them to come to Portland- then I don’t know what is!!!)

September 2003

Review by Brian “Capt. Redbeard” Gillespie

The Street Dogs: Savin Hill

History is full of “what if questions”. What if JFK wasn’t assinated? Would the US have got so intangled in Vietnam? What if Al Gore had won the Florida re-count? Would we be in Iraq today? What if Mike McColgan hadn’t left the Dropkick Murphys to join the Boston Fire Department? Well the first two questions I can only guess at. Yes, we would have got as deeply involved in Vietnam and it would have been as messey. And no we wouldn’t be in Iraq but we’d still be in the shitter. The one question I can answer with certainty is the DKM’s would have followed up “Do or Die” with something that would sounds pretty similiar to “Savin Hill”. In fact it’s closer to “Do or Die” then anything the Dropkicks have done in a while. This is fifteen tracks of fist pumping, chant-it-out, punk anthems that bring alive Savin Hill (also known as Stab’n’Kill,) the tough blue collar Irish-American neighborhood that Mike calls home. Possiably, the best rock’n’roll album I’ll hear this year.

September 2003

Pete Berwick: Ain’t no Train Outta Nashville

Chicago born Pete Berwick started out his career in the early eighties fronting various Chicago punk bands before moving south and absorbing the sounds of his adopted new home town of Nashville. Combining both the big city punk influence and the country sounds of Nashville, Berwick has made one of the best pieces of American rock’n’roll with attitude I’ve ever heard. Think Steve Earle, meets The Georgia Satellites meets Chuck Berry while the lyrics bring small town Midwest America alive very much in the way Springsteen brought working class Jersey to life. If your looking for a perfect piece of Americana then this is it.

2008

Various: Paddy Rock Vol.3

Hats off to Paddy Rock’s John Bowels (again) for putting together another great compilation of the finest Punk and Celtic Rock. And as with his previous comps he’s managed to surprise me with a host of fine new bands even to my ears and of course some great bands well known over in Shite’n’Onions world and a couple of tracks I actually wanted to use on Shite’n’Onions V3. Highlights’ include Catgut Mary of course, the Finns Fury powerful cover of ‘The Auld Triangle’, and then new and reinvigorated Pubcrawlers. This has inspired me to get the finger outta me own arse and start pulling together Shite’n’Onions V3 – incase John nabs the reaminder of my tracks for his V4. Copies of Paddy Rock Vol. 3 are available here http://www.cafepress.com/paddyrock.165669694. Pick it up and help keep a great radio show on the air.

2008

Potato-eating, Whiskey-drinking, Bog-trotting, CELTIC PUNK ROCK